As the Player Decides Sex, Disjunction and the Narrative Voice in Forster - Literature Essay Samples

Only connect, E.M. Forsters inscription to Howards End, is more problematic than it ought to be. It is a typically Forsterian injunction: idealistic, sweetly humanist and absolute, but vague and stated to be challenged. First, to what does the statement apply? It is there beneath the title, prompting the first-time reader to extend it through every situation of the novel, which is easy enough. We are meant only to connect people, perhaps, or England and Germany, or struggling and comfortable classes, or, with other works in mind, the colonizer and the colonized. The quote does not reveal itself until the final third of the book, where it refers to something interior and specific: Only connect and the beast and the monk, robbed of the isolation that is life to either, will die (188). There is of course nothing unexpected about a specific phrase having a possible wider meaning, but it is slightly unbalancing to have the large meanings present themselves first.But Forster, de spite his scrupulous avoidance of the horrible, is an unexpectedly unbalancing author. This is in part an effect of his pose of steadiness. His constant, assured and auntly narrative voice promises truth through sheer force of diction: He had known that she would pass from his hands and eyes, but had thought she could live in his mind, not realizing that the very fact that we have loved the dead increases their unreality, and that the more passionately we invoke them the further they recede (50, Passage to India) to take an example almost at random. This trick intruding on a characters musings with a statement from a higher expressive power is a recognized Forsterism. Yet this narrative voice, with its style of confidence and consistency, is proudly inconsistent. It can pronounce the dreadful resounding ou-boum of Mrs. Moores disintegration with the same force as it articulates Azizs joy at finding her sympathetic. Forster is a moral philosopher of a proclaimed and pr ofound humanist bent, so his official views are easily detected: they are the nice ones. But a triumph for the Forsterian world view cannot be achieved without the defeat of a strong opposition.The idea of this dialectic as a strategy can be supported by an episode in Howards End that constitutes a sort of micro-cosm of the Forster novel, the description of Beethovens Fifth. The composer is curiously alive and active throughout the performance of his piece Here Beethoven started decorating his tune Here Beethoven, after humming and hawing with great sweetness, said heigh-ho! (45). Beethoven only ceases to be the subject during his third movement, when a goblin walking quietly over the universe and his cohorts fill Helen with panic and emptiness (46). But then, Beethoven took hold of the goblins, and made them do what he wanted. He appeared in person. He gave them a little push. and then he blew with his mouth and they were scattered! (46). The artist is in control here , he lets the goblins loose so he can triumph over them with a vision of harmony and heroism. But this is not the natural order of things. It is a matter of the artists choice.Beethoven chose to make all right in the end. But the goblins were there. They could return. He had said so bravely, and that is why one can trust Beethoven when he says other things. (47)This is Forsters method, art wavering between optimism and uncertainty- muddle. He starts out with a certain vision, only to have it falter in subtle and frightening ways, then reaffirms it. But the affirmation comes with an artistic admission that articulate, dominant narrative voice chose to have things turn out that way. Life in his novels is rather like Beethovens sonnets: They can triumph or despair as the player decides and Lucy had decided that they should triumph (Room With a View 29)Yet this artistic vision of triumph and unity is presented as seen by people experiencing it in disparate and contradictory ways. Famously, Freddy follows the technicalities with the aid of the score, Mrs. Munt taps her foot, and Helen has visions of shipwrecks and goblins, which Margaret finds a little silly. Most aesthetic appreciation in Forster is like this: problematic, muddled. What is the right way to listen, or to look at the Della Roba babies and the Giotto frescos? The understanding of art, the unifying, de-muddling force, can be as disjointed and disputed as anything else.In Howards End, the question of disjunction is further muddled, because the problem lurking beneath the imperative only connect is sex. Those words, and the words the prose and the passion want to expand universally, covering both the unwhole world and the unwhole people in it. Instead they contract to the site of disjunction caused by the sex drive the beast and the monk. As if strangers in the house were not enough, now there are strangers inside. The problem is expressed more clearly, if less evocatively, in M aurice. This posthumous novel centers on what his other works were literally barred from touching: the awakening of homosexuality. Sex and desire in Howards End, a Room with a View, and A Passage to India are brief implications of rapture or terror: a grappling in a cave, a fall into a field of violets, where kisses are shattering and anything further is only talked about later. There is no explicitness in Maurice, but we see the beginning and the end of love scenes, the veil drawn out of standard courtesy.Maurice can almost be read as a development of the famous quote from Howards End, as an understory to the various bargains made by Margaret, who attempts to combine the disparate elements in her husbands lack of character. The hero is tormented by sexual desires that will not fit within the character society allows him. He does not even have the dispensation for lust allotted to straight men like his father and Mr. Wilcox. His first love Clive, who makes an improbable conversion to heterosexuality, enjoys such a Wilcoxian marriage: They united in a world that bore no reverence to the daily, and this secrecy drew after it much else of their lives. So much could never be mentioned (151). Yet Maurice, by his very deviance, is saved from this compartmentalized state. As the wavering, absolute narrator says of Clives attitude towards sex: Between men it is inexcusable, between men and women it may be practised since nature and society approve, but never discussed not vaunted (151). Between men it is inexcusable, and so must be discussed, or at least thought about. Thus, the young Maurice, when told about sex by his schoolteacher, is able to recognize that the societal scripts for love are inconclusive and flawed, his homosexual desires reveal it to him: Liar, he thought. Liar, coward, hes told me nothing.' (9). The delicate moral issues and concerns with conventionality that run through the more famous novels reappear as the difficulties o f a man trying to write out sexuality.And in this, at least, Forsters much invoked muddle becomes a desirable state. Queer desire is unscripted, beyond the pale, and so demands a reconsideration of marriage, of love and society as a whole. It demands a rewriting, and this is where the conscientious author can triumph. The mysterious bargains made by heterosexual couples tend to enforce whatever limits and boundaries are already there. Leonard Bast, whose marriage is a lurid pun on the union between the beast and the monk, relies on canons for his intellectual life, his singular place as a clerk for everything else. He is devoted to keeping them separate. As Forster suggests in Aspects of the Novel, the various facts of human life are separate, and almost irreconcilable. But as the author can chose to tell us everything and suggest a more comprehensible and thus a more manageable human race (70), the character can choose to make the bridge and create his or herself, to onl y connect and become the author of his or her own crucial I.Works CitedForster, E.M. Aspects of the Novel. Penguin Classics 2000.Forster, E.M. Howards End Penguin English Library, 1984.Forster, E.M. Maurice. Holder and Stoughton, London, 1971.Forster, E.M. A Passage to India. Guild Publishing, London, 1987.Forster, E.M. A Room with a View. Holder and Stoughton, London, 1977.

The Hidden Facts on Free College Essay Title

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Top Compare and Contrast Essay Outline Samples Choices

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A Report By Jill U. Adams On The Dangers, And Current...

CQPress.com. CQ Researcher, 13 Nov. 2015. Web. 19 Mar. 2016. This source features a report by Jill U. Adams on the dangers, and current regulations of air pollution and climate change. Holding a Ph.D. in pharmacology from Emory University, the author primarily writes a health column for the Washington Post. She has also been featured in the magazines Audubon, Scientific American and Science. Because this article covers climate change, there is an inherent liberal bias. However, this bias coincides with irrefutable scientific data proving the existence of climate change. The audience for this article is anyone effected by air pollution and climate change; just about everyone. This source upholds my speculation that human beings have a significant effect on the climate. Before reading this article, I wasn’t aware that 55 million people a year died from air pollution. I found this source on CQ Researcher while searching for ‘pollution.’ Harris, J. Outsmarting Climate Change. Discovermagazine.com. Discover, Spring 2016. Web. 19 Mar. 2016. This source explores recent innovations that lessen the effects of climate change. Though not much information on the author is given, through independent research I’ve found he has been published by Liberty, Sierra, and Discover magazines. Like my source from CQ Researcher on climate change, there is an inherent liberal bias. However, bias doesn’t really come into play in discussing new technological innovations. The audience for thisShow MoreRelatedExploring Corporate Strategy - Case164366 Words   |  658 Pagesinvites readers to prepare their own analysis. Industry evolution As described in Box 1, the pharmaceutical industry is characterised by a highly risky and lengthy RD process, intense competition for intellectual property, stringent government regulation and powerful purchaser pressures. How has this unusual picture come about? The origins of the modern pharmaceutical industry can be traced to the late nineteenth century, when dyestuffs were found to have antiseptic properties. Penicillin was aRead MoreProject Mgmt296381 Words   |  1186 Pagesdevelopment 7.3.2.1 Earned value system (F.4) 7.3.2.4 E.V., performance status report 7.3.2.2 E.V., forecasts 7.3.2.3 EV., to complete index (EAC) 7.3.2.5 Schedule and cost variance Developing a Project Plan 4.2.2 Planning tools 6.2 Sequence activities [1.2] 6.5.1 Bar and milestone charts 6.5.2 Critical path method (.2) 6.5.2.6 Lead and lag activities [6.2.3] F.3 Project duration Chapter 14 Project closure Closure report 4.5.1.4 Organization processes (.5) [4.5.3 4.6.3.2] 4.6.1 AdministrativeRead MoreLogical Reasoning189930 Words   |  760 Pageswas published by Wadsworth Publishing Company, Belmont, California USA in 1993 with ISBN number 0-534-17688-7. When Wadsworth decided no longer to print the book, they returned their publishing rights to the original author, Bradley Dowden. The current version has been significantly revised. If you would like to suggest changes to the text, the author would appreciate your writing to him at dowden@csus.edu. iv Praise Comments on the earlier 1993 edition, published by Wadsworth PublishingRead MoreMarketing Management 14th Edition Test Bank Kotler Test Bank173911 Words   |  696 Pagesimpulse D) latent E) negative Answer: A Page Ref: 8 Objective: 2 AACSB: Analytic skills Difficulty: Moderate 13) Julia is worried about the rising pollution levels in her city. She doesnt mind paying extra for goods and services that use sustainable processes to help control pollution. This is an example of ________ for pollution. A) declining demand B) nonexistent demand C) latent demand D) negative demand E) unwholesome demand Answer: D Page Ref: 8 Objective: 2 AACSB: Analytic

Alexie Visits His Family That Still Live On The Reservation

Alexie visits his family that still live on the reservation every month, and has said, â€Å"In any small town, eccentricity is viewed as suspicious. In a tribally-controlled small town, eccentricities are viewed with much more suspicion. His family is the subject of much of his writing, which can be painful; but they will still come to hear him participate in a reading if it is close to the â€Å"rez†. Alexie’s books have been described as making the characters as odd and complex as anyone else (Campbell). Poetry gave Alexie his start as an author with his first published collection being The Business of Fancydancing but found that his poems, which he considered stories, were exceeding a mere page. The transformation into short stories began†¦show more content†¦His portrayal of Native American experiences is praised by critics and scholars as realistic with regard to resistance of mainstream America. He asks three questions during the creation of a literary work, which include what it means to be an Indian, an Indian man, and live on an Indian reservation during this time. â€Å"Realism, in literature, is a manner and method of picturing life as it really is untouched by idealism or romanticism.† Specific details are required when using realism to interpret life objectively. To achieve reality with the use of realism accurate depiction is necessary to portray life as it currently is. When putting Alexie’s works under scrutiny, his writing has been impacted by social realism. He is trying to achieve social reality, through characters and themes. Alexie writes in contemporary times as to how Native Americans live, and tends to write about darker context instead of sacred. Even though Alexie’s novels are fiction, his characters are inspired by real people. 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Trifles and A Jury of Her Peers by Susan Glaspell Essay Example For Students

Trifles and A Jury of Her Peers by Susan Glaspell Essay The Foil of an Investigation In the early 1900s Susan Glaspell wrote many works. Two of her works stand out as true feminist tells, including the play Trifles and the short story A Jury of Her Peers. Trifles was written in 1920, while A Jury of Her Peers was written the following year. Trifles was written in only ten days. These works were not truly recognized until the 1970s though. Glaspell was awarded the Pulitzer Prize for Alisons House in 1931 (Maillakias 2). Glaspell was born on July 1, 1876 in Davenport, Iowa. Glaspell was the middle child and the only daughter. She was an excellent student through high school and graduated with honors. She also graduated from Drake University with a Ph.B in Philosophy. Throughout her college tenure, she wrote for the Drake paper, The Delphic. Following graduation, she began working for the Des Moines News. While working as a reporter for the Des Moines news, she ran across a murder that involved a woman on a farm. This murder gave her an idea for her story. The play was Trifles and the short story was A Jury of Her Peers(2). In the short story A Jury of Her Peers a woman named Minnie Wright is accused of the murder of her husband. Minnie Wright is a farmers wife and is also isolated from the out side world. There is an investigation that takes place in the home of the murder. There are three men that are involved on the case and two women accompany, but are not there to really help solve the murder. These two women will solve the murder and protect Mrs. Wright of any wrongdoing. The women will dispose and justify to themselves, that the murder was justifiable. The three men seek out to find motive, but they never do and the case will go unsolved. Glaspell uses symbolism as her a literary device to illuminate her theme. The symbols include: a jar of cherries, a bird, a quilt, kitchen, an even the type of knot that was used for her quilt. All of these details will help the two women justify the murder of Mr. Wright. I wish to show how Glaspell uses symbolism to justify the murder. I also wish to show how a disturbed farmwomen will get away with murder because of two farmwomen helping her, by getting rid of valuable evidence. In the short story A Jury of Her Peers Glaspell first uses the kitchen as her first use of symbolism, to show disarray. According to one critic Amari Verastegui The kitchen is described as being in disorder with unwashed pans under the sink, a dishtowel left on table, a loaf of bread outside the breadbox, and other disarray. This gives the impression of no attention having been paid to cleaning up either recently or usually(Verastegui 3). The room has faded wallpaper, an old black stove, and an old iron sink with a hand pump and no curtains at the one window. The unpainted table at the center sounds old and utilitarian. The description suggests a very uninviting room with no frills or anything to brighten the area. Nothing frivolous or feminine, like flowers or colorful plates are described as being in the room. Now these are details that were very thought out to help give the reader more ambition to find their own explanation of the symbols. According to critic Beverly Smith, From their entrance, the women stand part from the men, clustered at the stove. The men talk with a rough familiarity born working together and knowing one another. The women seem less acquainted and dont ever call each other by their first names. .ua4cc3c7764e6ee4384194d3aa1876d1e , .ua4cc3c7764e6ee4384194d3aa1876d1e .postImageUrl , .ua4cc3c7764e6ee4384194d3aa1876d1e .centered-text-area { min-height: 80px; position: relative; } .ua4cc3c7764e6ee4384194d3aa1876d1e , .ua4cc3c7764e6ee4384194d3aa1876d1e:hover , .ua4cc3c7764e6ee4384194d3aa1876d1e:visited , .ua4cc3c7764e6ee4384194d3aa1876d1e:active { border:0!important; } .ua4cc3c7764e6ee4384194d3aa1876d1e .clearfix:after { content: ""; display: table; clear: both; } .ua4cc3c7764e6ee4384194d3aa1876d1e { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .ua4cc3c7764e6ee4384194d3aa1876d1e:active , .ua4cc3c7764e6ee4384194d3aa1876d1e:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .ua4cc3c7764e6ee4384194d3aa1876d1e .centered-text-area { width: 100%; position: relative ; } .ua4cc3c7764e6ee4384194d3aa1876d1e .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .ua4cc3c7764e6ee4384194d3aa1876d1e .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .ua4cc3c7764e6ee4384194d3aa1876d1e .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .ua4cc3c7764e6ee4384194d3aa1876d1e:hover .ctaButton { background-color: #34495E!important; } .ua4cc3c7764e6ee4384194d3aa1876d1e .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .ua4cc3c7764e6ee4384194d3aa1876d1e .ua4cc3c7764e6ee4384194d3aa1876d1e-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .ua4cc3c7764e6ee4384194d3aa1876d1e:after { content: ""; display: block; clear: both; } READ: Artificial Environment Essay But at the mens first disparaging remarks about Minnies housekeeping and women worrying over trifles, the women move closer together (Smith 177). This is what set up the women to try and find the evidence that they need to protect Minnie Wright from being charged with her husbands murder. This murder is one that the two women can identify with. The reason is that both of the women were farmers wives and had very similar lifestyles. Mrs. Hale describes John .